Của cải và sắc dục đến mà người chẳng chịu buông bỏ, cũng tỷ như lưỡi dao có dính chút mật, chẳng đủ thành bữa ăn ngon, trẻ con liếm vào phải chịu cái họa đứt lưỡi.Kinh Bốn mươi hai chương
Mục đích cuộc đời ta là sống hạnh phúc. (The purpose of our lives is to be happy.)Đức Đạt-lai Lạt-ma XIV
Cỏ làm hại ruộng vườn, sân làm hại người đời. Bố thí người ly sân, do vậy được quả lớn.Kinh Pháp Cú (Kệ số 357)
Kinh nghiệm quá khứ và hy vọng tương lai là những phương tiện giúp ta sống tốt hơn, nhưng bản thân cuộc sống lại chính là hiện tại.Tủ sách Rộng Mở Tâm Hồn
Điểm yếu nhất của chúng ta nằm ở sự bỏ cuộc. Phương cách chắc chắn nhất để đạt đến thành công là luôn cố gắng thêm một lần nữa [trước khi bỏ cuộc].
(Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time. )Thomas A. Edison
Rời bỏ uế trược, khéo nghiêm trì giới luật, sống khắc kỷ và chân thật, người như thế mới xứng đáng mặc áo cà-sa.Kinh Pháp cú (Kệ số 10)
Dầu giữa bãi chiến trường, thắng ngàn ngàn quân địch, không bằng tự thắng mình, thật chiến thắng tối thượng.Kinh Pháp cú (Kệ số 103)
Hãy sống như thể bạn chỉ còn một ngày để sống và học hỏi như thể bạn sẽ không bao giờ chết.
(Live as if you were to die tomorrow. Learn as if you were to live forever.
)Mahatma Gandhi
Lửa nào sánh lửa tham? Ác nào bằng sân hận? Khổ nào sánh khổ uẩn? Lạc nào bằng tịnh lạc?Kinh Pháp Cú (Kệ số 202)
Sự kiên trì là bí quyết của mọi chiến thắng.
(Perseverance, secret of all triumphs.)Victor Hugo
Không nên nhìn lỗi người, người làm hay không làm.Nên nhìn tự chính mình, có làm hay không làm.Kinh Pháp cú (Kệ số 50)
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Since Christopher Columbus first met American Indians in 1492, many Europeans had been fascinated by Indian life and culture. As a result, there was a demand in Europe for drawings and paintings of Native Americans. European artists who had never seen an Indian supplied most of this demand. But in the nineteenth century, several painters traveled into Indian Territory to make an authentic record of native life. One of the first artists to do this was the American painter George Catlin. In 1841, Catlin published a book of his work. Catlin's work helped inspire another important frontier artist, the Canadian Paul Kane. Paul Kane was born in Ireland in 1810. His family moved to Toronto, Ontario, Canada, when Paul was nine years old. The young boy was not very interested in school. At that time, there were still Indians living in wigwams in the Toronto area. Young Paul liked visiting the Indian village instead of going to school. Since Paul spent little time in school, he was largely a selftaught artist. He also became a surprisingly good writer, considering that he had not spent much time studying spelling or grammar. After working some years making and decorating furniture, Kane was ready to travel. He spent the years from 1836 to 1841 living and traveling in the United States. Then he traveled in Europe from 1841 to 1843, studying the great painters of the past. He was back in the U.S.A. until 1845, and then he returned to Toronto. Immediately upon his return, Kane headed into the wilderness areas around Georgian Bay, Sault Ste. Marie, and Lake Michigan. His plan was to sketch Indian life before it disappeared forever. American Indians were dying so rapidly from European diseases, such as measles and smallpox, that many people believed that they would soon vanish as a race. Their culture was threatened too. As white settlers demanded more land, Indians were being herded into small pieces of land called reservations. Here they could no longer practice their traditional way of life. Kane wanted to capture Native American life while it still existed. Kane returned to Toronto at the end of 1845. He had received one good piece of advice and that was if he wanted to travel into the wilderness, he would have to go with experienced people. He was able to get the support of the Governor of the Hudson's Bay Company, Sir George Simpson. In May 1846, Kane joined the annual canoe fleet of fur traders going west. Kane would travel all through the wilderness areas of western Canada and northwestern U.S.A. During this time, he made hundreds of sketches of Indian life. Although Kane faced incredible hardships during his travels, he was able to see what he wanted to see. He was able to take part in one of the last great Buffalo hunts and killed two large bison himself. Traveling west with the fur traders he visited many forts and trading posts. He saw and painted a prairie fire. He shot a grizzly bear at close range and killed several wolves that attacked his horses. He learned to travel long distances on snowshoes in winter. Finally, he arrived at the Pacific coast, where he made some fine drawings of the west coast Indians. European diseases had reached there just before Kane. Fifteen hundred Indians had died near Fort Vancouver in the summer of 1848. One wealthy chief had ruled 1,000 warriors and had ten wives, four children and eighteen slaves. Now he had only one wife, one child and two slaves. Kane had not come too soon. However, there were tribes still unaffected by western culture and western diseases. Kane also traveled widely around the Columbia River in northwestern U.S.A. Everywhere he went, he sketched Indian chiefs and scenes of native life. On his return trip, he encountered a large war party of 1,500 braves on the warpath against their traditional enemies. He was able to sketch the leading chief, Big Snake, who was later killed in single combat during the battle. When he arrived back in Toronto, Kane gave an exhibit of his sketches and watercolors. Most of the rest of his life was spent turning these drawings into finished paintings.
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